James Rogers

  • Work
    • Toowoomba - 1977/80
    • Lilyfield Rd - 1981/84
    • Balmain 1984-86
    • Car Parks 1986
    • Newtown - 1987/89
    • Works on Paper - 1988/1992
    • Stanmore - 1991
    • Stanmore - 1993
    • The Raft - 1994/95
    • South Tamworth - 1995
    • Wing and a Prayer - 1997
    • The Fallers - 1998
    • Rock Opera - 1999
    • Painting - 1999/2001
    • Walcha - 1999/2002
    • Walcha Street Furniture - 1999/2002
    • Song Cycle - 2000/2001
    • Time and Tide - 2003
    • Earlwood - 2004
    • Syncopated Beach - 2005
    • Aloha Radio - 2007
    • Crossings, Melbourne - 2008
    • Steel - 2008
    • Devotions, Melbourne - 2010
    • Steel - 2010
    • Steel - 2011
  • Sculpture By The Sea
    • Hokusai's Child - 2011
    • Big Bather - 2010
    • Obbligato - 2006
    • Syncopated Ocean - 2005
    • On Vocation - 2002
    • Site Pacific - 2001
    • Surfing Spectacle - 2000
    • Main Brace - 1999
    • Semi Breve - 1998
    • Big Dumper - 1997
  • About
  • CV
  • Contact
  • James Rogers

    Originally from Sydney, I studied sculpture and music at the then Darling Downs Institute of Avanced Education ( University of Southern Queensland ). Returning to Sydney in 1981 with a group of fellow graduates, the Art/ Empire/ Industry exhibition space was opened. Living and working from there was the start of my development as an artist. In a short time, many exhibitions and performances came through the door that that kept me enlivened and feeling that good work could get made in Sydney.


    Soon another studio was established at Lilyfield Rd, followed in a couple of years with a studio in Balmain. Once again a tenancy ceased with the developers moving in and it was off to Newtown for a few more years before finding the Stanmore studio for a relatively long period of 1989 – 1995. During all these years I had exhibiting with Coventry Gallery in Elizabeth St. Paddington, and had held five solo shows and participated in numerous group exhibitions.


    Following a three month tour of galleries in Nth. America and France in 1993, I enmbarked on a period of public works and commissions that went right through to the new century, culminating with 'Song Cycle' 2001, sited in the NSW Northern Tablelands town of Walcha. I had had to find another studio during this period, this one on the Alexandra Canal at Tempe, and had started to exhibit with Legge Gallery in Redfern. This was all energised in 1997, by the birth of the public outdoor exhibition, Sculpture by the Sea, held on the headland above Bondi Beach. Things in Sydney were exciting, but expensive, and the demands of making expansive three dimensional work required some pragmatism when once again a lease was terminated.


    I moved everything to a property at Walcha. I was a guest in the cottage at fellow sculptor Stephen King's 'Blackfellows Gully' for nearly four years, periodically commuting to Sydney for teaching. I worked on solo exhibitions and a variety of public projects installed around the town. They are part of what is known as the 'Fresh Air Gallery'. After a busy time, as a treat in 2002, I leased a studio in Hunter St. Newcastle and painted for a year, exhibiting them at Legge in 2003. Circumstances, like the birth of my daughter Pearl in January 2004, required a return to Sydney where I started working from a garage in Earlwood on the painted plywood sculptures that would occupy me for five solo exhibitions, a couple of which were held in Melboune.


    Leaving my place that I had held for over 20 years as a part-time teacher in the Sculpture Dept. of The National Art School, I returned to Walcha in 2009. Now I am working full time from a studio I built behind the house I have bought at Thee St. in the town. I have made four solo exhibitions from this space, now exhibiting with Watters Gallery in East Sydney, just participated in my 10 th Sculpture by the Sea exhibition and towed my trailer many miles to fulfill the needs and obbligations of being an artist in a unique province of regional Australia. Currently living and working in Walcha.